- ZA COM 0819
- Series
- 2020-03-01
Arends, Ethel
16 results directly related Exclude narrower terms
Arends, Ethel
Various
Gutierrez, Oscar
Muti Films
Mandalas for Mandela Launch, 2011.12.04, Houghton:[Set of 59 Still Images]
Part of 5.2 NMF - Functions and events
Davies, Lee
Mandela Day exhibition at Maponya Mall, 2010, Soweto: [Set of 110 Still Images]
Part of 5.1 NMF > Mandela Day
Flow Communications (Pty) Ltd
Messages from visitors, 2010, Soweto: [Set of 36 Still Images]
Part of 5.1 NMF > Mandela Day
Flow Communications (Pty) Ltd
Opening of the exhibition, 2010, Soweto: [Set of 74 Still Images]
Part of 5.1 NMF > Mandela Day
Flow Communications (Pty) Ltd
Wahome, Noreen
Arends, Ethel
Reality Check exhibition walkabout, 2022.04.05, Houghton: [Set of 104 Still images]
Dakada, Mandlenkosi
Infinity to the Power of Women exhibition, 2022.08.17, Houghton: (Set of 208 Still images)
Various
installation of the exhibition Infinity TTPOW, 2022.08.17, Houghton: (Set of 27 Still images)
Saleh, Razia
Launch of Infinity to the Power of Women exhibition, 2022.08.17, Houghton: (Set of 183 Still images)
Molelekoa, Sophia
'Mandela is Dead' exhibition launch, 2023.11.30, Houghton: [Set of Still images]
Unknown
Named after Nelson exhibition launch, 2024.04.25, Houghton: [Set of 265 Still images]
Part of 5.2 NMF - Functions and events
A team of design researchers at Loughborough University in the United Kingdom in collaboration with Celeste Mckenzie, creative industries practitioners and heritage specialists in South Africa used graphic heritage as a lens to find out how much or how little information there is about Madiba in six locations named after him in the Gauteng Province. Through graphic heritage, the exhibition reveals as much about absence as it does about presence. It straddles the established but contested domain of heritage interpretation, presentation, and representation.
The exhibition is designed to inspire public engagement with its content and encourage visitors to contribute their thoughts, feelings, and observations to eventually shape the exhibition's public image. The case study locations are colour-coded to match the unique colours of the South African national flag.
Sigenu, Athenkosi